Tag: Ilford HP5+

BCE Place #2

Still avoiding the cliche image šŸ™‚ This is looking in the opposite direction.

BCE Place005

Hasselblad 500C/M, 50mm/4 Distagon lens
Ilford HP5+ film, developed in Ilfosol 3

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BCE Place

The interior of BCE Place in downtown Toronto is photographed so often that it is difficult to avoid the cliched images that have been taken so often. In this image I tried changing the angle to get the building within the building.

BCE Place001

Hasselblad 500C/M, 50mm/4 Distagon lens
llford HP5+ film developed in Ilfosol 3

On My Feet Again!

A break from my Scotland images šŸ™‚ I was finally well enough after my back injury a couple of weeks ago to go out for a shoot, so it was off to the Beaches.

At the edge of the water

Rolleiflex E3, 75mm/3.5 Xenotar lens
Ilford HP5+ developed in Tmax Dev, 1+4 for 6.5 minutes @ 20 C

Evening Lines

(Scheduled post while Iā€™m away)

From a recent walk in Kew Beach, the fence and trees capturing the late day sun. My kind of light

Rolleiflex HP5+ Beaches

 

Rolleiflex E3, 75mm/3.5 Xenotar lens with 25A filter.
Ilford HP5+ film

HP5+

I’ve never had much luck with Ilford HP5+ in 35mm; my scans always had too much grain for my taste, and I didn’t like the tonality. Shooting in medium format (at an exposure index of 250 instead of the box speed of 400) Ā I am liking the results better!

Trinity College Entrance

 

Rolleiflex E3 with 75mm/3.5 Xenotar lens
HP5+ film at E.I. 250, developed in TMax Developer
1+9 for 14 minutes @ 20 C

 

Twilight Portrait

Today, one of the film images from the session with Jennifer this past Saturday. This shoot marked the first time I used a recently acquired Helios 44/2 lens (58mm, f2). This lens is a Soviet Russian era copy of a Carl Zeiss Biotar, and has quite a cult following in certain circles. The fact that its focal length is slightly longer than normal for a “normal” lens makes it great for portrait work. In this shoot I had it mounted on my Yashica TL-Electro. The lighting was not bright, so I was shooting wide open at 1/60th of a second, on Ilford HP5+, pushed to E.I. 800. I like the gritty, documentary look I got: it is a good match for Jennifer’s intense expression. She is a master at bringing emotion into a shoot!

Candle Portrait