I’m heading out this morning to the Beaches in Toronto with my Mamiya 645 medium format film camera, so to get in the mood here’s an image I shot with my Mamiya a few weeks back on a photo-walk with a bunch of great folks in Hamilton, Ontario. I had no idea there were so many beautiful and delicate waterfalls in the Hamilton area.
Normally, Tuesdays on this blog are reserved for “Time-warps”, pictures taken some time ago, as opposed to recent images. Today things will be different; since it’s my birthday, I will indulge in a break from routine and post an image I captured a couple of hours ago. As I write this, it is a beautiful sunny morning in Cologne, but the day started out with the city wrapped in a dense, swirling fog. I grabbed my camera and ran out outside the hotel to capture it before it burned off. My favourite image is below.
There is a symbolism here; the bridge shows the direction of travel, but the destination is a shrouded mystery; I won’t be able to see it until I get there. The bridge is life, and the destination is the future, and getting there is half the fun.
The other night I had fun shooting stills for The Alexander Singers (a Toronto community theatre group) production of The Fantasticks. It was a challenging shoot: no flash allowed, so I had to shoot at ISO 3200 wide-open and hope that the VR (vibration reduction) on my D90 would give me at least some non-blurry shots. I was quite happy with how things turned out; after a busy evening of “spray and pray” shooting, I had over 150 usable pictures, including the image below of the character “Henry”: an actor well past his prime, hired to take part in an abduction. If you are looking for something to do over the next few nights, I’d recommend checking out this show; a very strong cast makes it a most enjoyable production.
I think Quebec City is my favourite city in Canada; it’s a close to being in Europe without crossing the Atlantic. It’s also a photographer’s dream.
I took the photo below in 2007, taking advantage of a non-crowded moment. It is slightly underexposed on purpose, to de-emphasize the benches, and emphasize the lines and texture in the wood. It also makes it a challenge to determine the time of day this image was created, and I like that mystery.