Update On My Photographic Resolutions

In my Photographic Resolutions post at the beginning of the year, I listed a number of things I wanted to accomplish photographically speaking by the end of the year, and one of them involved a photoshoot with a hired model, and I’m happy to say that item is close to being checked off, as I have hired a model for a shoot for next week.

This shoot is for a new photo project that involves portraits with vintage analog cameras (both for picture taking and prop!) As the project progresses the images will be posted here.

In the modelling world, there is a term “Guy With Camera” or GWC for short, referring to a creepy man who uses the pretext of a photo shoot to attempt to engage in a certain other kind of activity with the model. This is a real concern for many models, especially when they are working with a photographer for the first time. I am tempted to call this series “Girl With Camera,” but I’m not sure I will; it might make light of a serious problem in the industry.

Update: If you are female and would like to participate in this series just let me know; no nudity etc. required!


More Questions Than Answers

I like this image because of its ambiguity. To me it looks like it could have been made anytime over the last ninety years or so; there isn’t much in the picture that would give the actual date it was taken. (For the record, I made this image just this month, with my Rolleicord Vb Twin-Lens Reflex medium format camera.)

The viewer gets to fill in the blanks, and there are no wrong answers.


A Different Brush, Part 2

Another new old camera I’ve been trying recently is an Olympus Pen EE-3 half-frame camera made sometime in the 1970’s. This camera uses  regular 35mm film, but as the name implies, only uses half of each frame, doubling the number of images per roll. The really interesting thing about this (and other) half frame cameras is that when you hold the camera up to your eye, the default orientation of the image is portrait (height larger than width), rather than the landscape orientation we are so used to. It takes a conscious decision to turn the camera to shoot landscape.

We have all seen images in landscape that would have been so much better in portrait orientation, and I find with this camera I am forced to think about whether landscape mode is the best way to go. This is a cheap little camera and I may not use it much, but as a different brush, it gets me thinking about how to frame and compose using my other cameras.


Dead Tree In Earl Bales Park, Toronto, Olympus EE-3

A Different Brush

Yesterday I went out for the first time with my Rolleicord V, a twin lens reflex camera I bought last week. It shoots 6 x 6 cm images on 120 film.

Looking down to focus, on a ground glass with a laterally reversed image will take some getting used to, but that’s what I like; different types of cameras inform the photographic process in a different way.

Old Farm Equipment

The lens has interesting characteristics; quite sharp (at least in the centre), but in some of the images the out-of-focus backgrounds have a very vintage look. Quite distinctive, and another step away from the sameness I find that one can get using DSLR’s.

A Long Slow Day

My last image was of a smiling island local, in a sense performing for tourists. In a sense, this picture is related: it depicts an employee of the BVI resort where were stayed; part of the job involved just sitting during quiet times, alone with one’s thoughts. For both of these men, are their lives defined for just being there for rich tourists?

A Long Slow Day


At lunch on an island, a local hanging around the restaurant posing for photographs and getting free drinks. This image for me distills the experience.

Island Smile

The Same But Different

This image is thematically related to the previous post, but different in many ways. It was shot at home, on a film camera, rather than on digital on a tropical island. Since the original was in black and white, I didn’t need to run the image through an expensive plug-in to get the effect I wanted; I just scanned the negative, and applied some very basic brightness and contrast settings to give the lighting the stark look I was looking for.

Sun on the door