Old architecture reflected by a modern building. I love the distortions.
Nikon F4, 80-200mm/4 Nikkor zoom lens
Svema Foto 200 film, developed in Xtol 1+1 12 min @ 20 C
In 1976, when my father let me use my first “good” camera (his Voigtlander Vito B) he sent me to the store to buy film, with the instructions “Ask for Plus-X”. Decades later, here is an image from a test roll of Plus-X I shot yesterday — expired since about 1983, but still perfectly usable!
Olympus XA, 35mm Olympus lens
Plus-X, developed in Xtol 1+1 for 7.5 minutes
I had the fun of working with a new model named Holly earlier this week, doing a retro pin-up genre shoot. The key ingredients for pin-up are personality, personality and personality! :-) And Holly had all three, a great sense of humour and a true understanding of the pin-up genre on her part made for a fun, productive shoot!
Nikon D7100, 50mm/1.8 D Nikkor lens
Post work with LightRoom and Nik Efex
I’ve been holding onto today’s image for a while, waiting until my good friend Katherine Matthews had released the knitting pattern featured here along with my other good friend Jennifer. I am normally primarily a black and white shooter but I just love the vibrancy of the colour Katherine chose for her pattern here, and of course Jennifer completes the image :-). If you’re a knitter, you can get Katherine’s lovely pattern here.
Nikon D7100, 18-200 Nikkor lens
The final post from my shoot with Grace was made with my Rolleicord Va Twin Lens Reflex Grace shows a dancer’s grace, and in a sense my old Rollei is part of another dance — over fifty years old and still going strong; its dance never ends either. :-)
Rolleicord Va, 75mm/3.5 Xenar lens
Kodak Tmax 400 developed in Xtol 1+1 for 9.5 minutes @ 20 C
In this post, while Grace is amazing in showing character in her posing/expression, I am actually going to talk about the character of a film I have tried for the first time: Svema Foto 200 film, made in the Ukraine, and available from The Film Photography Project. What I like about this film is the grain structure: it’s not fine grain, but it is organic, it just feels right, and it has a lovely tonality! Now if I could only get it in 100 foot bulk rolls!
Nikon F4, 85mm/1.8 Nikkor lens
Svema Foto 200 film
developed in Xtol 1+1, 10.5 minutes @ 20 C